Expect to hear more from me in the coming days. In the meantime, there are a few shows happening this weekend that I couldn't let pass without mentioning. Without further ado, here they are.
FRIDAY
Ian Moore & The Loosy Coils/Seth Walker/Rahim Quazi (The Kessler)
My Weekend Plan segment has always been a favorite of Mr. Quazi's, so it only seemed appropriate to do one on a weekend he's playing. Granted, he's only the opening slot, but any show featuring Rahim is one worth mentioning. There are few artists who not only put on a consistently good show as he does, but also even fewer who manage to keep each performance fresh and unique. My only complaint? It's taking WAY too long for the follow up to Supernatural to be released. What's up with that?
Gravity Feed/Ten Can Riot/Regetta de Faux/Geronamo/Christian Rios/Blake Mackey (Lakewood Bar & Grill)
This show is a celebration of the club's assistant manager (and friend of the Ghost) Jon Keener, and that's reason enough for me to attend. Get there early, as Blake Mackey is worth hearing. The man just might be the most talented acoustic guitar player in the metroplex. And while I've yet to hear Ten Can Riot, I've heard plenty of good reviews on the band.
Fate Lions/Soviet/Man Factory/Tape Deck Mountain (Lola's)
Power pop makes a strong showing tonight at Lola's, and Fate Lions are arguably the best power pop act in town. Soviet has often mislabeled as punk, whereas garage pop would be a much more fitting label. Either way, Soviet makes some pretty catchy tunes themselves.
The Demigs/Paper Robot/Deep Snapper (Andy's)
For those who have listened to my show on Deep Ellum Radio, you've undoubtedly heard me play The Demigs on more than one occasion. Their album Cities Can Wait is easily one of the best sounding albums of the year. Yes, the production is first rate, but more importantly, the songs match the same level of quality as the production. Fans of late 80's/early 90's pre-grunge a la Pixies will not want to miss this show.
SATURDAY
Rock-A-Tron 5000 Music Festival (Dada)
Somehow this festival almost slipped underneath my radar. I don't know if that's a sign that the show is being underpromoted or if I'm just that out of the loop. Either way, this all day event has plenty of good acts, including openers Spookeasy (2:15 pm), Sealion (8:15 pm), and Here Holy Spain (12:45 pm), all of which are playing on the indoor stage.
The Marfalites/Southern Karma/Steve Jackson/Mr. Troll (Poor David's Pub)
I previously called The Marfalites "Dallas' best kept secret in country music." Perhaps part of the reason they're not better known is that the band as of yet has not released a CD. They're working on their official CD, Three Penny and No Soul. But around the time that CD is released, they will ALSO release a live CD of Saturday's show. In fact, every one who pays the cover at Saturday's show gets their very own copy of the CD free of charge. And The Marfalites are definitely a band deserving of its own live CD, as they are easily one of the better live acts in the metroplex.
The King Bucks (Adair's)
There's been a lot more talk about The King Bucks this week due to a rather vicious writeup in the DC9 at Night blog. The author blasted the band for not having enough stage presence and not connecting with the audience. Admittedly, the band is pretty much the antithesis of flashy, but that would really not fit the Bucks. The King Bucks play simple, old school country: nothing more, nothing less. And if real country is what you're looking for, you'll be hard pressed to find a better option than the Bucks. And as for not connecting with the audience, Chad Stockslagger's banter alone shoots down any arguments that the band cannot connect with its audience. And the songs definitely connect with the audience, and really, isn't that what it's about?
Bronze Whaler/The Virgin Wolves/Binary Sunrise (Hailey's)
Tweed EQ/Bigelow Station/The Roomsounds (City Tavern)
Dead Rider/Nervous Curtains/Pinkish Black (Double-Wide)
Too many good shows, not enough time to discuss them. What a wonderful problem to have.
